The Radavist

In Los Angeles, a ‘cross bike’s limitations are self-prescribed. You can ride just about everything on one, as long as you’ve got the right equipment and the willpower. Bigger tires and appropriate gear range are paramount. Things like blinged-out componentry are just added bonuses to the spice of life. And in LA, the spice must flow.

Kelli‘s not necessarily new to cyclocross but this is her first legitimate ‘cross rig. Her husband Ty reached out to Aaron Stinner to make a bike that would embody race pedigree but still be at home in the hills and mountains of Los Angeles county and beyond. When she’s not running her women’s cycling team, LA Sweat, she’s trying to take on more off-road riding and this bike is more than enough motivation to do so.

PAUL Components, 3T, and a Luxe Wheelworks Chris King to H+Son Archtype wheel build all compliment the absolutely mind-fucking beautiful AirGlow paint job by Hill Clarke. If you like to geek out on painting procedure and process, make sure you check out Hill’s Instagram.

Before the comments open up, YES, technically the tires are on backwards here and yet the bike didn’t explode upon hitting the dirt. ;-)

Mark’s Black Cat Gatto Disc All-Road
Photos by Derek Yarra, words by John Watson

Grinduro, the timed segment gravel race in the Sierra Nevada mountains approaches (10.10.2015) and for people like Mark Riedy, it’s the perfect opportunity to get a California builder to construct a dream bike for the event. An race like Grinduro will bring about polarizing opinions regarding what the ideal equipment might be. Some would say a hardtail or a rigid mountain bike, since the descents are technical and the last 12 miles of the course is singletrack.

Others would say a disc “all-road” or ‘cross bike because of the timed road segments and the 20-mile climb. Mark Riedy, Giro’s longtime PR guy, is clearly in the drop bar camp, so he looked to Santa Cruz’s Black Cat Bicycles to build him a bike.

Now, for those of you who know Mark, you can attest to his love of the Gios Torino road frames. They’re classics and Mark is always on the lookout for one in his size. Perhaps this was his motivation when contacting frame painter Keith Anderson, or perhaps he just wanted to have the word “Gato” on his head tube.

I reached out to Mark and asked him what he was trying to accomplish on Grinduro weekend. To which he replied, “I’m riding Grindruo just for fun and to be able to get in a weekend of camping with my family, so it doesn’t matter to me if I win or finish last, but I do want to have the most fun.”

SRAM 1x, Zipp and yes, white bar tape with a white saddle topped off this very modern bike inspired by an iconic classic. A guy who spends most days riding the dry, gravel fire roads of Marin County, Riedy wanted a bike that handled exactly like a performance road bike, but featured clearance for up to 38c tires and disc brakes. For most rides, Riedy runs Continental 28C Gatorskin Hardshell rubber, but for Grinduro he’ll definitely go with something bigger, like a Conti CycloXKing.

See you at Grinduro, Mark! I’ll be on my rigid…

Grinduro still has spots available, so head over to check it out.

Thanks to Above Category‘s Derek Yarra for the photos!

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Follow Derek on Instagram.

For SF’s TCB Courier, the busy summer months aren’t easy with all their deliveries yet the hustle and bustle of a day to day life of a bike messenger aids itself well for staying in shape. Especially come ‘cross season. This year, the team will be racing on the new LOW ‘cross frames. These frames are decorated with blue and orange paint, with each bottom bracket stamped with the racer’s name.

While LOW Bicycles might be known best for their made in San Francisco track bikes, for the past year or so, they’ve begun to develop road and ‘cross frames. Debuted at NAHBS, the MKI road is Low’s first geared bike offering, selling in small production runs and starting as a collaboration with Cadence, a longtime supporter of the brand.

A lot has changed at LOW since my last visit. Andrew hired Michael full-time, who aids in everything from prep to production and finishing. This enables Andrew to focus on welding and keeping up with the ever-increasing demand for frames.

When I was at the shop, Michael was working on one of the LOW MKI ‘cross frames in their new color: safety orange. These frames are being raced by TCB Courier and should be available soon for purchase.

When visiting a longtime friend like Andrew, more time is spend chatting and catching up, but I did get a few photos of the shop, the new frames and his dog, Manny. Enjoy!

If you’d like to pick up a LOW, head to their web shop or email Andrew for availability of their new MKI road and MKI cross frames.

With all the Fat Chance love and rigid MTB shenanigans as of late, I thought it’d be a good time to share the current status of this bike, which has seen its share of changes since I acquired it in 2013.

In the world of track crits, like Red Hook Crit and this weekend’s Wolf Pack Hustle’s Civic Center Crit, racers quickly realize that a standard track bike might have its limitations.

Let’s look at what a track bike is designed for: all left turns on a banked velodrome, with walls around 45º steep for a 250m track.

These crits however are completely different. For starters, the amount of people racing is almost three times what a miss-n-out or win-in-out would have competing. There are both right and left turns, yet no banked walls. In road criterium racing, you can coast through the corners and rail all the turns. With a track bike you need to pedal all the time.

That’s where Marc’s one-off comes into play. He and Andrew from Low Bicycles discussed options for a bike that was bred from the conditions of track crits. How is it different? Well, in all things related to bike design, a few millimeters here or there can make a huge difference. The bottom bracket is higher, to make for more crank clearance in the turns and the wheelbase is a bit longer to make it easier to hit those turns at speed.

So far Marc has raced three or four crits on it, as well as taking it to Hellyer, the local track to race.

Me, I just think it’s a beautiful fucking machine. Made in San Francisco by Andrew Low, fitted with Ritchey parts and with PAUL wheels made by Fresh Air Bicycles.

“I don’t have a studio, I have a workshop. I’m not an artist, I’m a fabricator…”

We were talking about the mystique surrounding custom frames and the public’s perception, or in many cases the perpetuation of preciousness associated with “bespoke” frames. Cameron Falconer isn’t an artist, he makes straight forward, utilitarian machines meant to shred. Sure, they’re tailored to fit and Cam’s years of racing and riding influence a lot of their nuances (water bottle cage placement for example) but these are bicycles, not art…

Like many framebuilders, Rafi Ajl began his love for the bicycle at a young age but it wasn’t until after graduating from Harvard’s Graduate School of Design that he began pursuing his love for building bicycle frames. Ajl’s background is fine art and as such, his bicycles began functional art. Something you would not only love to look at, but would love to ride and would be able to do so for the rest of your life.

Perhaps it was Rafi’s passion for art, design and the bicycle that drew Geoff from Box Dog Bikes, a local, owner run co-op bicycle shop in the Mission of SF to Raphael Cycles’ work. Or maybe it was the proximity. Rafi Ajl is no longer making frames, but when he was, Raphael Cycles was literally blocks away from Box Dog Bikes.

Geoff wanted a classic touring bike with external routing, fender, rack mounts and a 1″ threaded headset. A seasoned tourer, randonnée, cyclocross racer, shredder of vintage mountain bikes and all-around capable cyclist, Geoff knew exactly what he wanted and has been thoroughly enjoying this bike. As evident by the years of use.

A SON hub powers the S3 lighting and a well-positioned and broken in Brooks saddle cushions and inviting a ride, so much that I pedaled this bike for an hour or so before finding the perfect spot to photograph it.